Production and Post Audio are different crafts with overlapping skillsets. My goal with production audio is to capture project specific sound, clearly and at a workable volume, distinct enough from any irrelevant background such that it can be used in an edit. My goal with post audio is to help tell a story. That includes modifying qualities of existing audio to match the picture – in terms of volume, character, placement, and so forth – as well as adding or creating ambient sound, effects, and diagetic music.   » Read More


  • Zoom F8n Multitrack Field Recorder
  • Sennheiser MKH416 Shotgun Mic + blimp + windscreen
  • 9″ Avalon Boom Pole
  • Rode NTG2 Shotgun Mic
  • Sennheiser ew G3 100 wireless transmitters/receivers (3 lavs + 1 extra XLR transmitter)
  • 6 MEii+ wireless lav mics + windscreens + mounting + hiders
  • AT899 wired interview mic
  • QBit X2 Timecode generator
  • Zoom H6 Mini Audio Recorder
  • Dummy Slate
  • Shure Vocal mics
  • Mic stands, mounters, and holders
  • Access to Comteks, additional microphones, any additional gear at cost.